100 kitschy, design-inspired illustrations exploring emotional symbolism through flowers. Built as a second layer to the Primitives, my on-chain framework encoding emotion via color, form, and structure. Rooted in floriography, Vanitas, and personal memory, these pieces function like sacred symbols—playful on the surface, but deeply intentional. Minted on-chain as part of a living, composable catalog.

100 kitschy, design-inspired illustrations exploring emotional symbolism through flowers. Built as a second layer to the Primitives, my on-chain framework encoding emotion via color, form, and structure. Rooted in floriography, Vanitas, and personal memory, these pieces function like sacred symbols—playful on the surface, but deeply intentional. Minted on-chain as part of a living, composable catalog.

The Brutalist Mannequins series began as a way to process four decades of anxiety and depression, but it ended up revealing something deeper—the quiet unraveling of a 12-year relationship. Created during a personal breakdown, these works became a mirror for emotional truths I hadn’t yet faced. This reflection revisits the series five years later and explores what it helped me understand, express, and survive.

The Brutalist Mannequins series began as a way to process four decades of anxiety and depression, but it ended up revealing something deeper—the quiet unraveling of a 12-year relationship. Created during a personal breakdown, these works became a mirror for emotional truths I hadn’t yet faced. This reflection revisits the series five years later and explores what it helped me understand, express, and survive.

I explored Rodeo’s mutable contracts to create 50/50 tickets, reshaping older works and questioning blockchain’s promise of immutability. By manipulating metadata and minting timelines, I created a playful commentary on ephemerality, participation, and control.

I explored Rodeo’s mutable contracts to create 50/50 tickets, reshaping older works and questioning blockchain’s promise of immutability. By manipulating metadata and minting timelines, I created a playful commentary on ephemerality, participation, and control.

After nearly two years of research, design, and experimentation, I’ve released Primitives (PRIM), a bespoke emotional vocabulary on the Ethereum blockchain. This marks a significant milestone in my artistic journey, establishing an immutable framework for a lifetime of creative exploration. As my art catalog grows, the connections between Primitives and my work will emerge naturally, shaping the next phase of my practice as an artist.

After nearly two years of research, design, and experimentation, I’ve released Primitives (PRIM), a bespoke emotional vocabulary on the Ethereum blockchain. This marks a significant milestone in my artistic journey, establishing an immutable framework for a lifetime of creative exploration. As my art catalog grows, the connections between Primitives and my work will emerge naturally, shaping the next phase of my practice as an artist.

This is the story of how I minted “forbidden” tokens on SuperRare’s V1 contract after being banned, turning the act of minting into art. It was a rebellion against gatekeeping in the NFT space, challenging the status quo. These tokens, now “ghost artifacts,” exist as permanent, on-chain reminders of a time when creativity and defiance collided, and disruption became part of the message.

This is the story of how I minted “forbidden” tokens on SuperRare’s V1 contract after being banned, turning the act of minting into art. It was a rebellion against gatekeeping in the NFT space, challenging the status quo. These tokens, now “ghost artifacts,” exist as permanent, on-chain reminders of a time when creativity and defiance collided, and disruption became part of the message.